Luke Trusty

I excel in short-form narration. For the last two years, I have been a production manager for a production house that specializes in short-from YouTube content. In that time I have completed over 4,000 narrations for content across numerous genres and niches.

I am also a former educator with experience teaching US grades K-12 ((K-Upper Secondary equivalent) so creating content targeted towards younger generations isn't an issue.

I'm always open to new partnerships and growing together.

I have also written, produced, directed, scored and starred in my own audio drama production - For Goodness Sake: A Christmas Adventure, so I have extensive knowledge of the audio drama scene as well.

 Eğitim

Bergerz Reels - Melique Berger - weekly commercial breakdowns and art of the pivot - ONGOING

Casting Director for a Day - Andrea Toyias - Video Game Audition Technique

VO Battle Chest - Andrea Toyias - How to Embody the Character

How to Persevere in the World of Animation & Video Games - Marc Grau -Audition Technique

Get Animated and Master Animation Voice Acting - Eric Bauza -animation Class

Commercials – Inside the Casting Process - Mary Lynn Wissner - An Exploration in Commercial Genres

Leveling Up in your Voiceover Career -Billy Collura - Commercial Audition Technique

Reading for a Casting Director - Carroll Kimble - Commercial Audition Technique

Gaming Hotseats - Chris Border -Taking direction and delivering re-directs

Military Callouts and Efforts - Linsey Rousseau

 Deneyim

I am the production manager for a YT Production house based in the Netherlands. Aside from doing work for TubeCreators, In addition to doing thousands of short-form narrations for this company, I also have established, built and maintained countless relationships with clients all over the world.

With over 4,000 faceless narrations done a year, you can't go wrong :)

 Özel sanatçılar

Audio engineering - self-trained. Over 14k hours of working experience.

Pre=production experience - this includes writing, proofing, setting timelines, assembling teams and ensuring everything moves according to schedule.

Post-production - this includes audio engineering, mixing, mastering and scoring finished products.

Project management - I oversee 160 production teams as my daily job, so I fully understand the flow of pre-production pipelines and what it takes to deliver a polished product that's ready for distribution.

A am also a member of NAVA :)